I can't help it. I love the new Spider-man, and I can't stop defending him out in public.
Last
year, Marvel Comics announced it was introducing a new character to fill the shoes Spider-man. This new
web-swinger is named Miles Morales, and unlike Peter Parker, he's not
white. He's half-black and half-Hispanic, and represents part of Marvel's overall shift at Ultimate Comics to increase the racial and ethnic diversity of their superheroes.
Predictably, people were upset about the change when it was announced. People complained that Marvel was getting rid of the traditional Spider-man, and accused the company of kotowing to political correctness.
A few things surprised me about this. First is that Miles is not replacing the Spider-man who Stan Lee and Steve Ditko created in 1962. He's replacing the Spider-man whom Brian Michael Bendis created in 2000 for Marvel's Ultimate Comics line.
Second is that even if he were, so what? It's not like there is a dearth of white superheroes, and death in comic books is about as permanent as a haircut. If Marvel can create a superhero who speaks to the experience of its readers of color, I'm all for it.
Spider-man as a character has grown stale because of his pop culture success. He's not allowed to age, to marry and have children or otherwise significantly change, because the editorial powers at Marvel would rather milk their cash cow until it goes dry than risk killing it. Reinterpreting the character as an inner-city person of color rather than as a white teen from Queens is bold and opens up new avenues of storytelling.
What amazes me is that people still are upset about it, more than a year
later. Two people at the comics shop the other day criticized Miles
when they saw I was buying my daughter a collection of Ultimate Spider-man that
included Peter. A friend of mine complained about him last night.
Hel-lo, people! Miles rocks.
Miles has a lot of the traits that
have always made Spider-man a hero, aside from the obvious spider powers
like strength, spider-sense and sticking to walls. In many ways he's every bit as reluctant and outcast a hero as Peter is.
Peter first tried to make money with his powers, and only
realized how he was wasting his gifts when a burglar he had failed to
stop earlier, later killed his Uncle Ben. Miles used his powers to save
some children from a fire, but was so unsettled by the experience that
he didn't use them again until after Peter had died.
But
the defining characteristic, the one thing that makes Miles stand out
from Peter and makes him worth reading is this: He's not Peter. The
Ultimate Peter Parker is dead, killed in a battle with the Green Goblin,
and remembered by the entire city as a hero.
Miles is trying to honor
Spider-Man's memory, but it's going to be ages before he's able to step
out from under the shadow of his predecessor and gains legitimacy in the
eyes of the New York. (And from some comic book fans,
obviously.)
And just as importantly, Miles knows that he can die.
One Spider-man already has, and unlike in the mainstream Marvel
Universe, the Ultimate Universe doesn't seem to have a revolving door on
heaven.
If Miles were simply a case of brown-washing -- if he were from Queens and had the exact same origin story and personality as Peter -- I'd
probably agree with my friend who dissed Miles before I explained his story to her. But he's not a black
Hispanic superhero for the sake of having one, and when Marvel debuted
him, they didn't just create a black Peter Parker. They created a new
character, one worth reading for his own sake, and one worth starring in
his own movie some time.
He's also a racial minority, a bright
kid from a neighborhood a lot worse than the one Peter Parker grew up
in. As far as I'm concerned, that's just icing on the cake.
Miles isn't just a black Spider-man. As far as I'm concerned, he is Spider-man, hands-down: fresher and more fun to read about than Peter Parker has been in years.
Copyright © 2012 by David Learn. Used with permission.
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Monday, December 31, 2012
Sunday, December 30, 2012
'Angelwalk'
I'm trying to pare down the amount of stuff in my house lately. A few days ago, I found a copy of "Angelwalk" that I bought twenty-four years ago.
Written by Roger Elwood, "Angelwalk" is probably one of the angriest books I've ever read. It tells the story of Darien, an angel who considered Lucifer a friend before the war in heaven, and who now is exploring the world of men to see what Lucifer has been doing since his departure. When he finishes his journey, if Darien concludes that God was wrong, then the war will be over and God will allow Satan and all the fallen angels to return.
It's certainly an unusual setup, and I've got to give Elwood points for creativity in the concept. Still, if you thought the next 189 pages would deal with symptoms of humanity's brokenness, like our petty-mindedness, our indifference to the suffering of others, our sometimes open lust for power, or even some big sins like the exploitation of illegal immigrants, or human trafficking, you'd be mistaken.
"Angelwalk" was written for an evangelical or fundamentalist readership, and as such it is preoccupied with issues that offend those readers. Thus we're treated to a narration of an abortion from the perspective of one being aborted; we attend a funeral for a gay man and get to overhear attendees discussing having an orgy and possibly involving the corpse, and so on. (Elwood is vague on whether this scene occurs in Sodom or in San Francisco.)
There's no sense of moderation here, not even an aside that this particularly abhorrent sort of behavior is extremely deviant. There are two groups of people Darien encounters in his travels: the utterly depraved, and evangelical Christians.
This sort of strident, circle-the-wagons sort of thinking, which views those outside the evangelical church as abhorrent and a threat to decent church-going sorts, is outrageous. I'd like to think Elwood didn't mean for the book to be taken seriously -- but given the content of later books in this series, and the warm reception I recall this book getting in the late 1980s, it's safe to say that he did.
Because it deals with angels and demons, and the effects of sin on our world, "Angelwalk" when it was published regularly was compared to C.S. Lewis' "The Screwtape Letters" as a book about spiritual warfare. If only that comparison were warranted.
Lewis' book, which purports to be a series of letters from a devil to a junior tempter on how to lead a man away from faith in Christ, is at times witty and thought-provoking, and always thoroughly original. The difficulties faced by the unnamed human in the book are common enough to the human race, and easily related to.
"Angelwalk" pretends to raise questions about God's justice and mercy, but the examples of sin the book presents are so extreme that its answers are meaningless; and the book is so full of anger that there's nothing to think about, nothing to remember, nothing to savor or comment on.
Ultimately, the book is rather like a hellhouse, that horrifying evangelical alternative to Halloween. If you're inclined to agree with the message of "Angelwalk," then you'll like it. If you don't, you're probably going to be revolted, feel a little sick after reading it, and never want to talk again to whoever convinced you it was a good idea to try it in the first place.
Copyright © 2012 by David Learn. Used with permission.
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It's certainly an unusual setup, and I've got to give Elwood points for creativity in the concept. Still, if you thought the next 189 pages would deal with symptoms of humanity's brokenness, like our petty-mindedness, our indifference to the suffering of others, our sometimes open lust for power, or even some big sins like the exploitation of illegal immigrants, or human trafficking, you'd be mistaken.
"Angelwalk" was written for an evangelical or fundamentalist readership, and as such it is preoccupied with issues that offend those readers. Thus we're treated to a narration of an abortion from the perspective of one being aborted; we attend a funeral for a gay man and get to overhear attendees discussing having an orgy and possibly involving the corpse, and so on. (Elwood is vague on whether this scene occurs in Sodom or in San Francisco.)
There's no sense of moderation here, not even an aside that this particularly abhorrent sort of behavior is extremely deviant. There are two groups of people Darien encounters in his travels: the utterly depraved, and evangelical Christians.
This sort of strident, circle-the-wagons sort of thinking, which views those outside the evangelical church as abhorrent and a threat to decent church-going sorts, is outrageous. I'd like to think Elwood didn't mean for the book to be taken seriously -- but given the content of later books in this series, and the warm reception I recall this book getting in the late 1980s, it's safe to say that he did.
Because it deals with angels and demons, and the effects of sin on our world, "Angelwalk" when it was published regularly was compared to C.S. Lewis' "The Screwtape Letters" as a book about spiritual warfare. If only that comparison were warranted.
Lewis' book, which purports to be a series of letters from a devil to a junior tempter on how to lead a man away from faith in Christ, is at times witty and thought-provoking, and always thoroughly original. The difficulties faced by the unnamed human in the book are common enough to the human race, and easily related to.
"Angelwalk" pretends to raise questions about God's justice and mercy, but the examples of sin the book presents are so extreme that its answers are meaningless; and the book is so full of anger that there's nothing to think about, nothing to remember, nothing to savor or comment on.
Ultimately, the book is rather like a hellhouse, that horrifying evangelical alternative to Halloween. If you're inclined to agree with the message of "Angelwalk," then you'll like it. If you don't, you're probably going to be revolted, feel a little sick after reading it, and never want to talk again to whoever convinced you it was a good idea to try it in the first place.
Copyright © 2012 by David Learn. Used with permission.
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Saturday, December 29, 2012
quitting time
I've quit Facebook.
I've laughed at witty things my friends have said or shared, but it's time to stop. I've enjoyed sharing things of my own that people have liked, and I've enjoyed seeing the odd thing or two that I write go viral. But at the end of the day, I've had to add up the time I've spent on Facebook and other web sites, and ask myself if there aren't better ways to spend my time.
I'm setting down my tray and I'm
walking away from the building, with no plan for the foreseeable
future of going back.
This entry is a blog response to "So Long and Thanks for All the Fish."
Copyright © 2012 by David Learn. Used with permission.
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And so
I quit. At the moment, my account is only deactivated, but if I don't
change my mind by Jan. 5, I'm probably going to take the nuclear
option and close
my account entirely.
The day after I deactivated my Facebook
account was Christmas. That morning I got up, I ate breakfast with my
family and we unwrapped presents. My children and I played with their
new toys together, we talked about what they had been reading lately,
and at the end of the day I shredded some old financial documents
before going to bed.
It was a refreshing day, filled with
family and with real-world experiences. In the days since, I've
watched “Doctor Who” with my children, played with the youngest,
and read a book. I've even written a blog entry, in what I hope is
the first break in a long and painful logjam.
It's not a change I expect everyone
will want to make. My friend Jeff,
for instance, is always quick to stress the value he perceives in
social networking for building and maintaining relationships.
I
confess, I've never seen this value, no matter how much Jeff has
stressed it.
Relationships
just don't happen over an Internet medium, except in the most
bare-bones, utilitarian sense. Which of us, in talking about the
great times we've had with friends, ever stops to recount a
meaningful status update? We may share, away from Facebook, things
that we saw or read there, but those are always sidebars to the main
events of our lives.
I've
always enjoyed the pictures my friend Ruth shares of her children,
but the memories I treasure are from the visits I've had with her and
her family. I recall with great clarity the Saturday afternoon we
went to lunch in Port-au-Prince then caught up with one another in
their living room.
Facebook
lets me know when my brother has gone for a ride on his horse. Seeing
him in person or hearing him on the phone, I get a fuller measure of
his experience. His shoulders will slump with that so-good fatigue,
and his voice will carry his excitement as he shares where he's
ridden and what he's seen. You don't get that on social media.
Conversation isn't just a two-way exchange of words; it's a dynamic
system, where one person's enthusiasm and interest feeds the other's.
Break
it up and remove that direct interaction, and you're left to interact
with the cold text another person has left, often hours earlier.
In the
end Facebook, like most of the rest of the Internet, involves sitting
alone by the computer or with your phone, interacting with what you
imagine the other person to be. It is the shell of a conversation, an
echo of a relationship trying to emulate the real thing.
God
knows we want the real thing. Relationships these days are so
impermanent. Children move hundreds of miles from their parents when
they move out on their own, and then move regularly with the demands
of work. Even marriage isn't what it once was. According to the U.S.
Census Bureau, the average marriage will last seven years.
Facebook
gives us the illusion of permanency and connection. Thinking about
your college roommate? Look him up. Want your parents to know
what their grandchildren are up to? No problem! It's a piece of cake
to share the contents of your digital camera in an album they can
look through at their leisure. Feeling nostalgic for that guy in high
school who used to look down his nose at you? Hey, no problem –
he'll be sending you a friends request any day now.
Facebook has kept us networked with one
another, but it hasn't brought us any closer together, and that's the
difficulty I have with it. Too often, in fact, it tears us apart
where we expect it to pull us together.
If you're my friend on Facebook, after
the events of Sandy Hook, you probably saw me voice some thoughts on
the subject of gun control. If you agree with me, you might even have
clicked Like. But if you didn't, it's just as possible you got
annoyed at what you saw as an attack on your Second Amendment rights.
Being the polite sort, you didn't say
anything then, but it stuck under your craw. You've heard the gun
control rhetoric before, and it's never impressed you. But when you
came back to the site, my comment was still there, still obtrusive,
and still annoying to you.
If we'd been in the same room, we might
have had a conversation on the subject. We would have known when each
other wanted to speak, and we would have paused and allowed for the
back-and-forth of a proper discussion. In the process, we would have
moved beyond the surface arguments to some of the deeper issues.
But since this
exchange would have happened on Facebook, each of us would have said
all that we wanted to, with no modulation for interruption or
discussion, after the initial comment was made without having you
specifically in mind. And so, though neither of us intended to, we've
driven a little wedge between us.
It gets even worse when our friends get
involved, because often they have no relationship to provide context
at all. Disagree with someone's post, and you may be called
delusional, or worse. Like the rest
of the Internet, the Facebook platform just doesn't support actual
dialogue and understanding as much as it does strong language and
hard feelings.
As my friend Indigo once observe,
“Social networking just brings people together. It doesn't
guarantee what happens next.”
Facebook
goes on, but it will go on without me. As much as I have loved George
Takei's page, as much as I have loved the ecards I have seen, as much
as I have enjoyed the clever fan pages and all the witty graphics
that get passed around, and as much as I love hearing about Jeff's
trip to the supermarket to buy some mustard, it isn't worth it.
If I take everything Facebook delivers,
and I weight it on a balance against the other things that could be
done with the time, particularly the value of the relationships that
we sacrifice to use the service, Facebook cannot measure up. Most
things in life are better in moderation, but Facebook? I have found
that for me, at least, it is like the proverbial obese man at an
all-you-can-eat buffet. There's nothing wrong with the buffet, but
perhaps it would be better to go home and have a salad.
This entry is a blog response to "So Long and Thanks for All the Fish."
Copyright © 2012 by David Learn. Used with permission.
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