How differently might things have gone had Superman landed in the Soviet Union instead of Kansas?
That's the question explored in Mark Millar's "Red Son," a comic that reimagines Superman as a Soviet superhero rather than an American icon. Elseworlds comics like this one take place outside regular DC continuity and reimagine the characters in a new setting. Precisely because of this changed background, Elseworlds comics can be a lot of fun.
"Red Son" is an interesting take on Superman because he's still an essentially good guy who doesn't want anyone to be hurt, and has unimpeachable moral character. He's still Superman. But because he grew up in communist Russia, he's not the Superman we remember. He still defends truth and justice, but it's no longer the American way he upholds. And in the DC Universe, that's quite a game changer.
In the comic, the adult Superman emerges into the public consciousness during the presidencies of Stalin and Eisenhower. The fear and paranoia of the Red Scare are further inflamed by this superhuman champion of communism and Soviet values. In a compelling section on the reaction in America, the comic shows people in the street terrified at the thought that a superpowered Soviet can him to watch their every move from orbit.
Superman's chief nemesis has always been Lex Luthor, and Millar sticks with the classic characterization of Luthor as a scientist, but not as a mad scientist. This Luthor is in the employ of the U.S. government, giving as a rare scenario where Luthor comes off at least as sympathetically as Superman.
The conflict between the two men continues over the next 40 years or so moves along standard Superman lines, however abridged, as Luthor gets Braniac to put Stalingrad in a bottle, and creates one superpowered patriot after another, like Bizarro and the Parasite, in attempts to destroy his foe.
The conflict between the two men continues over the next 40 years or so moves along standard Superman lines, however abridged, as Luthor gets Braniac to put Stalingrad in a bottle, and creates one superpowered patriot after another, like Bizarro and the Parasite, in attempts to destroy his foe.
Other D.C. heroes and world history get reimagined along the way. Wonder Woman arrives on the scene, and declares her support for the Soviet Union rather than for capitalist America, With Superan on the scene, nation after nation joins the Warsaw Pact, and America's fortunes ebb lower and lower. Soon states start to secede, and the U.S. government is unable to stop them.
The most interesing aspect of the story, thematically, is when Superman succeeds Stalin as president of the Soviet Union, and makes the nation run like clockwork. Everyone has absolute security, and everything they need. There is no crime, no hunger, and no freedom. Dissidents are rounded up and given brain surgery to make them compliant with Superman's regime. (There are shades of Doc Savage here, but it also reminds me of Mark Gruenwald's "Squadrom Supreme," a comic where a pastiche of the Justice League assumed total control of society to build a utopia.)
The story breaks down for me in the final act. Batman in this world was left an orphan when the KGB shot his parents for publishing subversive anti-Superman material. When we finally see him as an adult, Batman's absolute obsession is to bring down Superman and his Soviet system. As it continues, the comic fails to maintain the energy it had in its opening pages.
In a rare twist, Luthor does win in the end, and outsmarts not only Braniac but Superman as well. Except Superan survives as well, and manages to live long enough to see the earth's sun grow red, and hear reports from one Lex Luthor's descendants that the Earth is going to blow up because of pressure building beneath the planet's crust.
The comic was all right, but none what I would want to buy. But that's why I didn't buy it. Gotta love library cards.
