When it comes to funny, go for what's old

Perhaps I'm just getting sour in my old age, but I'm finding that the funny pages just aren't that funny any more.

Great strips I've read in my life include "Bloom County," with its zany and outlandish stories that skewed current events; "Calvin & Hobbes," which Bill Watterson used to elevate comic strips to an art form; and "The Far Side," with its surreal and often Kafkaesque one-panel scenarios,

The comics section of the Star Ledger is a shadow of what it used to be, and there aren't many strips I enjoy anymore. "Doonesbury" saw better art after Trudeau's 18-month hiatus, but the writing never recovered. Other strips languish under limited-joke syndrome, like Garfield's fixation on lasagna, Mondays and what a loser Jon is.

I'd say that the classic "Peanuts" should have made way for new talent when Charles Schulz died last year, but it is a cultural icon and how many children first learn to read. And besides, what's going to replace it?

"Boondocks" is more about conveying deserved anger than it is about humor, and "Mutts," while reminiscent in some ways of older comics like "Krazy Kat," just ain't funny.

The same is true of Saturday morning cartoons. If you want something side-splittingly funny, go old school

The classic "Merry Melodies" and "Looney Tunes" from Termite Terrace have aged well. The slapstick antics of Daffy and Bugs are just as funny now as they were 40 years ago. Attempts to create new Bugs cartoons in the 1980s failed miserably in my mind; you just can't duplicate Chuck Jones, Tex Avery and Friz Freleng. Classic Warner Bros. cartoons are among the best ever made. My wife and I even bought two of the tapes for our daughter to watch.

If you want quality stuff, get what was produced sixty years ago and still has name recognition.

Now get off my lawn.